Rather than centering the human alone, my practice attunes to the rhythms, resistances, and poetics of other forces—gravity, space, time, and kinship across species. With a background in physics, I see science as a fair way to pursue truths—but what drives me is its potential as a mutable language, shaped by curiosity, imagination, and ideology. I believe art can meaningfully support and expand this process, offering new ways of working with and reimagining science. Working across sculpture, installation, moving image, and participatory formats, my practice often reclaims scientific and digital methodologies as poetic tools for freedom and transformative power.

Levitation is a conceptual anchor in my practice, holding together themes of resistance, freedom, and the elusive. It signifies both the human impulse to transcend limits and a refusal to remain grounded in systems that suppress or constrain. Levitation becomes a form of resistance—not only against gravity but against extractive logics, disciplinary boundaries, and the illusions of objectivity in capitalist science. It suggests a refusal to be grounded by expectation, to remain tethered to dominant narratives or prescribed ways of knowing. There is tension in the act of rising: between lightness and heaviness, between hope and resistance. To levitate is to risk the impossible, to embrace the uncertainty of flight even when success is unlikely. It is this space—precarious, poetic, and charged with potential—that I return to again and again in my work. 

My practice is deeply rooted in socially and ecologically engaged concerns. I collaborate with communities, both human and more-than-human, to co-create works that question dominant narratives and amplify submerged or suppressed forms of knowing. I am particularly interested in how artistic methodologies can contribute to a demodernising agenda—challenging anthropocentrism, reclaiming wonder as a form of inquiry, and foregrounding care, kinship, and slowness as critical tools for navigating complex crises.

By weaving together speculative storytelling, scientific phenomena, and subtle acts of resistance, my work seeks to reveal what is often hidden: the invisible forces that govern life, the structures that shape our beliefs, and the imaginative capacities that might lead us elsewhere. In this way, I hope to offer viewers not just new perspectives, but new possibilities—to float, to question, to feel, and to imagine otherwise.